June 2012
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Tina Fey cradles her pretend baby bump on the set... →
As Tina Fey was on the Brooklyn set of the new Focus Features comedy Admission earlier today, she decided to have a bit of fun with the photographers, cradling and pointing to an imaginary baby bump.
The Mean Girls writer’s good-humoured prank inspired uproarious laughter from her female companion.
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I think Lorne Michaels executively produces the...
mrssethmeyers:
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tarasavelo:
the year is 2013. the grammy for song of the year, performed by the youngest duo ever, goes to blue ivy carter feat. adele’s unborn child via sonogram microphone.
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Trying to take a photo while jumping
theepichumor:
Expectations:
Reality:
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Watchliterallysame:
my favorite music video
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od-a:
WARNING If you get sent a link saying “click here to watch the new Twilight trailer”, don’t click it! The link is to the new Twilight trailer.
Watcheponiner:
So my thirteen year old brother always asks to use my video camera. And I never knew why. But today I opened iMovie for the first time in months and THIS IS WHAT I FOUND.
I DONT KNOW WHAT TO THINK.
#WHERE’S THE FUCKING REST
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Watch
30 Rock: Kidney Now! Featuring Clay Aiken, Elvis Costello, Mary J. Blige, Sheryl Crow, the Beastie Boys (Mike D and Ad Rock), Steve Earle, Adam Levine, Sara Bareilles, Wyclef Jean, Norah Jones, Talib Kweli, Michael McDonald, Rhett Miller, Moby, Robert Randolph, Rachael Yamagata, and Cyndi Lauper
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“No part of me was thinking, “I want to give Amy this episode to write and direct...”
– Mike Schur (via slapmymind)
AVC: You wrote and directed the finale. In the scene where Leslie goes into the polling booth to vote for herself, what was your direction to Amy Poehler in that scene?
Mike Schur: I gave her almost none. It was a very hard scene, and I gave her almost no direction in part because the entire scene was written in stage directions. There’s no dialogue. So I had written what I wanted to write, and I didn’t see any point to giving her a lot of direction. I think the only direction I gave for that entire scene, as many takes as we did, was about camera placement. It was for the operators and not for the actors. There was no need. I figured when I was writing it that, ordinarily, without anything going on in her personal life, this would be the most significant moment of Leslie’s life: walking into a voting booth and punching her own name on a ballot. That would be incredibly meaningful and emotional and complex and everything else. Add to it that right before she goes in, her boyfriend with whom she’s completely in love, tells her that he might be leaving her for six months to go work with this shark in Washington. I didn’t for one second think that Amy wouldn’t know how to do that. It’s the culmination of a lot of years of playing this character. It was that scene and the one where she finds out the results of the election from Ann—that’s the whole year! That’s the whole year, and that’s the whole character from the very beginning all the way to this point.
